'hearts aburst with the joy of knowing'

(William Harger)

May 27
thisbigcity:

「我熱愛沒去過的城市,以及沒見過的人民。」

thisbigcity:

「我熱愛沒去過的城市,以及沒見過的人民。」


oldflorida:

Florida spaces.
The Carillon, Miami Beach. 1950’s.
(Grew up in South Florida FB Group)

oldflorida:

Florida spaces.

The Carillon, Miami Beach. 1950’s.

(Grew up in South Florida FB Group)


mehreenkasana:


Women organisations were at the forefront of the many movements that took place against the brutal Ziaul Haq dictatorship. This 1980 photograph is from a violent protest held by female college students (in Lahore) against the Zia regime’s ‘masochistic attitude’ towards women.
[x]

Badass Pakistani women against Zia’s dictatorship and oppression. Chuk ke rakho, khawateeno. Note that it is a female protester against a female police officer.

mehreenkasana:

Women organisations were at the forefront of the many movements that took place against the brutal Ziaul Haq dictatorship. This 1980 photograph is from a violent protest held by female college students (in Lahore) against the Zia regime’s ‘masochistic attitude’ towards women.

[x]

Badass Pakistani women against Zia’s dictatorship and oppression. Chuk ke rakho, khawateeno. Note that it is a female protester against a female police officer.

(via thatprettyoddfeminist)


r-ide:

exhilar4te:

i think this is my favoritest picture.

take me here too

r-ide:

exhilar4te:

i think this is my favoritest picture.

take me here too

(via simplyvanilla)




May 26
newyorker:

Richard Brody on What to See This Weekend: Wes Anderson’s “Moonrise Kingdom,” Twice

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review. 

newyorker:

Richard Brody on What to See This Weekend: Wes Anderson’s “Moonrise Kingdom,” Twice

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review



SO CUTE!!!
dailybunny:

Bunny Stops to Smell the Grass
Thanks, smallthingswithlove!
[On harnesses]

SO CUTE!!!

dailybunny:

Bunny Stops to Smell the Grass

Thanks, smallthingswithlove!

[On harnesses]


May 19

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